All is Gold that Glitters

(From Ebony, December 1959 issue, p. 169)

Today I went into the music bookstore I visit fairly often (obviously) and left it with a copy of Nadine Cohodas's Princess Noire. The Tumultuous Reign of Nine Simone (New York: Pantheon 2010). For different reasons I couldn't resist buying it, not the least because it was the hardcover edition and they hawked it for around 12 bucks. First thing you notice when taking the book in hand is its dust cover in gold and black (which, however, feels to the touch as if plastic would pretend to be calfskin leather ... very strange, tactily speaking). Once you remove the dust cover you'll be then eyestruck by the aureate splendour of the book cover itself that shines forth from beneath. Now whether Cohodas's book does merit all this gilded extravagancy I cannot yet say but the subject of her book certainly does.

Colpix LP 407 (not the truly original label
which has Colpix in red letters above, but
actually the 2nd label Colpix was using ...
but at least still in gold, compared with the
light blue of the following label versions)

That gold is somehow Nina Simone's colour I have always felt since I got to know her early Colpix LPs which came with a golden label, starting with her first Colpix LP 407 (The Amazing Nine Simone), recorded in July 1959 in New York.
1959 was the year when Nina Simone became a big name in the music business; in retro- spective, it certainly was the year which determined (and made) her later career, even though she herself at the time was still plan- ning to become a classical pianist and merely recorded jazz, folk, gospel and pop items to finance her piano study. »New Year 1959 found me ... with a hit record, a rising reputation, and no idea how to make the money I needed to finish my classical training«  she was later to say in her autobiography I Put A Spell On You (p. 63 f.).

Billboard ad, Sept. 28, 1959

But things went better than she thought (and she often thought only the worst to come anyhow), and the unexpected success of her Bethlehem recordings, in particular of her version of »I Loves You Porgy«, opened her many doors. The New York-based Columbia-Colpix took her under contract in April 1959 because King-Bethlehem had signed her only for one album (which had appeared in mid-1958 as Little Girl Blue). What is more, Nina Simone was dissatisfied with how she was treated and promoted by Bethlehem-King's Sid Nathan, and famously she even sold away her rights of the entire album for the sum of $3.000 (something she much regretted later since her first Bethlehem LP also features such popular tunes like »My Baby Just Cares For Me« ...). She was then not unhappy to be signed by Joyce Selznick of Colpix, especially because she was given a longterm deal. And Colpix had, obviously, greater material resources to promote her nationwide and maybe also more enthusiasm since the Colpix label had been founded only recently, in October 1958.
     Only little more than two months passed after signing the contract with Colpix, and Nina Simone found herself in a New York studio to lay down the 14 tracks in July '59, twelve of which were then released on her first Colpix LP The Amazing Nina Simone. Half of them were also released, in the course of '59, on three Colpix singles. One of those 45's, Colpix # 124, had the very felicitous combination of the uptempo gospel song »Children Go Where I Send You« with the old 1932 jazz standard »Willow Weep For Me« (the latter also recorded before by Billie Holiday and Dinah Washington). The first song, with its wonderful climax towards the end, highlights Nina's piano playing (and few songs on the first Colpix LP actually do), while the second strongly puts her vocal art in evidence. There is much else to say about her first Colpix album, but I cannot do it tonight and it has to wait for another occasion sometime soon. So let's leave it, for today, at the two songs mentioned. And I guess there will be few persons around who do not share the view that with Nina Simone, all is gold that glitters:

Nina Simone: »Children Go Where I Send You« / »Willow Weep For Me« from the Colpix LP # CP 407 (1959):

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