Lonnie Mack has the distinction to call a very decent Wikipedia article his own, actually much better, more complete and more meticously documented than most other entries on '60 r&b music; over on WangDangDula you also find an exhaustive discography. On the back cover of his LP, Lonnie is credited, by Cincinnati Post's Dale Stevens, with a »lowdown, dirty and twangy« guitar style. But Stevens also portrays him as a »country boy, and I mean back country«. This image stuck with Mack for a long time, and the Output critic John Morthland wrote in 1984: »It was the era of satin pants and histrionic stage shows, and all the superior chops in the world couldn't hide the fact that chubby, country Mack probably had more in common with Kentucky truck drivers than he did with the new rock audience« (quoted from Wikipedia). If you like to read a more recent assessment of Lonnie's music and career, have a look at Greg Schaber's article »Mule Train«, published in the October 2000 issue of Cincinnati Magazine.
The Charmaines (publicity shot from 1966) |
The second song of a somewhat different flavor on Lonnie's LP is the bluesy instru- mental »Down And Out«. Here we have Lonnie Mack & his band (Marv Lieberman, Ron Grayson, Wayne Bullock, Truman Fields and Irv Russotto) moving a long way from their country roots. And they're really into it:
from the Fraternity LP # F-1014 (The Wham Of That Memphis Man!, 1963)
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(Both clips from Billboard, November 9, 1963)
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